Esad Ribić’s artwork was ethereal, otherworldly, and the opening overtures of the series embraced a sense of godlike eternity. When the crew hit Broxton, I started to get to know them a little better, to actively participate in Thor comics on their own grounds-but, still, a lot of that reading came in support of that Bendis-era barrage of crossovers and events I had to read Thor so I could read Siege.īut when Thor: God of Thunder hit a full decade ago this November, something felt different. When the first Thor film hit cinemas, I knew enough to know what The Destroyer was on sight but didn’t quite understand its narrative significance. The (then nine) realms were unnamed vagaries in my head, as were major, non-Loki villains. What’s more is that the wholly incredible, insulated world of Asgard, with its vast cast of supporting characters and mythology, often felt impenetrable to a casual fan.
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